Thursday, October 31, 2019

Annotated Bibliography for Staff and Skills Essay - 1

Annotated Bibliography for Staff and Skills - Essay Example In addition, it also forms an essential supplier of cooking gas in the country delivering to over 62.4 million numbers of households in the country. The company’s research and development centre which is located at Faridabad generates the most outstanding of technologies and solutions for the various operating divisions of the company and to its customers throughout the country and also abroad. The organizational structure of Indian Oil is rather flat with very few levels of management intervention between the staffs and the management. Instead of being supervised through numerous management layers, staffs are greatly involved with the decision making process of the company. The company is known for nurturing employee involvement through a decentralized decision making process (IOCL, 2012). Indian Oil- Structure, Strategy, System, Style Indian Oil represents a flat hierarchical structure which is primarily functional in nature. The company is divided into units and subunits ac cording to their areas of functions. The company has equal presence both in the refineries as well as marketing segments. With the help of an integrated supply chain model the organization integrates between its various divisions and functional units. Each division is headed by a Director who is responsible for reporting to the Chairman. The importance of differentiating between the various functional divisions is that they maintain their own knowledge and technology for producing their own products. Each of the functional divisions also caters to their own markets and areas of operation. However, there is ample integration between the various functional units. Interlinked through an effective communication and information system, the organization enhances knowledge sharing between each functional component. The functional organizational structure has each unit operating their own marketing divisions. These marketing segments operate according to the conditions and situations where they function and the markets in which they operate (Klassen & Menor, 2005, p.411). Role of the Leader/Management in Indian Oil The management and leadership programs in Indian Oil represent a participative style of leadership. Decision making by the management is particularly designed for acquiring the views and suggestions of employees of the organization. Employee empowerment programs are made crucial components of the HR practices and strategies of the corporation. This is done with the aim to acquire strong commitment and devotion of employees towards the organization. Also the accountability, responsibility and liability of employees as decision makers of strategies and work processes are greatly enhanced through this system. However, the presence strong business leaders in the company cannot be ruled out. It is guided and directed through a handful of very strong and competent business leaders who provide strategic direction to the company. Particularly during the presence of crisis situations and fluctuations in business conditions, the role of the management played a crucial role in handling the turmoil situations effectively. Also effective leadership and management control played a role in exploiting the adverse economic conditions for capturing some of the emerging markets in the country. The company also demonstrates an effective and strong human resource management system

Tuesday, October 29, 2019

Nation-states and colonial regimes have historically managed diversity Essay - 1

Nation-states and colonial regimes have historically managed diversity while creating further diversity in the process. Explain some of these tensions - Essay Example ular media, scholarly literature, professional journals and many more, it is a multifaceted expression, and thus, there is no single definition of diversity. The dictionary definition of diversity is â€Å"a state of unlikeness† or â€Å"the condition of being different.† For many, diversity means inclusion, gender, or racial differences. Since we are all different, diversity is a term that includes everyone. In this essay, diversity refers to individual, group and cultural differences. A nation-state is an independent state in which the majority of the citizens are united by factors such as common descent and language, which are factors that define a nation. JurgenOsterhammel (2005) as â€Å"a relationship between the majority who are indigenous and the foreign invaders who are the minority†, on the other hand, defines colonialism. In the pursuit of interests, the colonial rulers make and implement the fundamental decisions that affect the lives of the colonized people. History has that many examples of colonial regimes rejecting cultural compromises with the colonized population exist. This end up forcing the colonized population believes that the colonizers are the superior. Unsurprisingly, this rejection leads to tensions within the diverse population. A concept that has been propagated to respond and manage the issue of diversity is multiculturalism. Multiculturalism is the ideology of embracing diversity in cultures and formulation of policies to protect the existence of different orientations in a population (Long, 1997). It is all about making people in a society to preserve their different cultures. The idea of multiculturalism is manifested in the approach used to propagate and champion for it. Advocacy groups are formed to push for recognition of the right of people to uphold and practice their culture and religion. Another way it comes out is by creating of policies that promote diversity of cultures. The concept is opposed to the integration of

Sunday, October 27, 2019

Theory Of Tensile Test Engineering Essay

Theory Of Tensile Test Engineering Essay Tensile test is a standard engineering procedure to characterize properties related to mechanical behavior of materials. The properties describe the response of the material during the actual loading conditions. The variation in geometry of the specimen has to be considered. Although the behavior of the material inside elastic limit is of considerable importance but the knowledge beyond elastic limit is also relevant but plastic effects with large deformation takes place in number of manufacturing processes. The Fracture toughness acts to stop the progress of fracture in a material. Fracture toughness vary according to the loading rate, environment, temperature, the composition of material and its microstructures together with geometric effects. These factors are important for welded joints when metallurgical and geometrical effects are complex. Theory of Tensile Test, elastic constant, surface energy, fracture toughness and derivation of fatigue potential energy, lethargy coefficient, surface energy per unit area / per unit mole, and fracture toughness using dynamic fatigue. life equation are presented in this chapter. 2.2 TENSILE TEST The engineering Tensile Test is also known as tension test which vary widely used for providing the base of the design information on the strength of material and as an acceptance test for the specification of the materials. Tensile Tests are very simple, relatively, inexpensive, and fully standardized. Under the pulling type of loading something, it can be very quickly determined how the material will react to the these type of forces being applied in tension. As the materials are being pulled, its strength and elongation can be find out. A lot of about a substance can be learned from tensile testing. As the machine continues to pull on the material until it breaks, a good, complete tensile profile is obtained. The curve shows how it reacted to the forces being applied. In the tension test a specimen is subjected to a continually increasing one directional tensile force while simultaneous observations are made of the elongation of the ductile specimen. Fig 2.1 shows a typical stress -strain diagram for mild steel. Fig 2.1: Typical Stress-Strain Curve for mild steel [1] A: Proportional limit B: Elastic limit C: Upper yield point D: Lower yield point E: Ultimate stress point F: Breaking point Proportional limit: Stress is a linear function of strain and the material obeys Hookes law. This proportionality extends upto point A and this point is called proportional limit or limit of proportionality. O-A is a straight line portion of the curve and its slope represents the value of modulus of elasticity. Elastic limit: Beyond proportional limit, stress and strain depart from straight line relationship. The material however, remains elastic upto state point B. The word elastic implies that the stress developed in the material is such that there is no residual or permanent deformation when the load is removed. Upto to this point, the deformation is reversible or recoverable. Stress at B is called the elastic limit stress; this represents the maximum unit stress to which a material can be subjected and is still able to return to its original form upon removal of load. Yield point: Beyond elastic limit, the material shows consideral strain even though there is no increase in load or stress. This strain is not fully recoverable, i.e., there is no tendency of the atoms to return to their original position. The behavior of the material is inelastic and the onset of plastic deformation is called yielding of the material. The point C is called the upper yield point and point D is the lower yield point. The difference between the upper and lower yield point is small and the quoted yield stress is usually the lower value. Ultimate strength or tensile strength: After yielding has taken place, the material becomes strain hardened (strength of the specimen increases) and an increase in load is required to take the material to its maximum stress at point E. Strain in this portion is about 100 times than that of the portion from O to D. Point E represents the maximum ordinate of the curve and the stress at this point is known either as ultimate stress or the tensile stress of the material. Breaking strength: In the portion EF, there is falling off the load (stress) from the maximum until fracture takes place at F. The point F is referred to as the fracture or breaking point and the corresponding stress is called the breaking stress [1]. The stress-strain curve is constructed from the load-elongation measurements (fig.2.2).The stress used in this stress-strain profile is the average longitudinal stress in the Tensile Test. It can be obtained by dividing the load by original area of cross-section of the specimen. Stress = (2.1) The strain used for the engineering stress-strain curve is the average linear strain, which is the rate of the elongation of gauge length of the specimen, and its original length. = = = (2.2) Fig 2.2: The Engineering Stress-Strain Curve [2] The magnitude and shape of the stress-strain curve of a metal will depend upon its prior history of plastic deformation, heat treatment, composition , and the strain rate, temperature, and state at which stress imposed during the testing. The different type of parameters which are used to describe the stress-strain curve of a metal are the percentage elongation, reduction of area, tensile strength and yield strength. The first two are ductility; the last two indicates strength parameters. In the zone of elastic limit, strain is measured by an extensometer attached to the gauge length. In the elastic limit stress is linear proportional to strain. When the load exceeds a value above the yield strength, the specimen undergoes to plastic deformation. It is permanently deformed if the load is released to zero. The stress, to produce continuous plastic deformation, increases with increasing plastic strain i.e. the metal strain-hardens [2] . The volume of the specimen remains constant during plastic deformation, = o o (2.3) Where = Final area of cross section of specimen = Final length of specimen o = Original area of cross section of specimen o = Original length of specimen And as specimen elongates, due to this it decreases uniformly in cross sectional area. At the beginning the strain hardening more than compensates for this decrease in area and the engineering stress continues rises with increasing strain finally a point is arrived where the effect of decrease in specimen cross-sectional area is higher than the increase in deformation load arising from the strain hardening. This typical condition reaches first at some point in the specimen that is slightly weaker than the rest. The further non elastic deformation is concentrated in this region, and the specimen begins to neck or thin down locally. For the reason that the cross-sectional area now is decreasing far more rapid rate than the deformation load is increased by strain hardening, the actual amount of load required to deform the specimen falls and the engineering stress in the same way continues to decrease until fracture occurs. Many varieties of fractures can occur during the processing of m etals and their use in different types of application. One of them is the Ductile Fracture. [3] 2.2.1 DUCTILE FRACTURE Ductile fracture has been defined as fracture occurring with appreciable gross deformation. Ductile fracture in tension is usually defined by a localized reduction in diameter called necking. Very ductile metals may actually draw down to a line or a point before separation. This kind of failure is usually called by rupture. Consider segment of a cylindrical bar of length , cross-sectional area A0 and subjected to a load as shown in fig 2.3(a) when the load is increased to 12 and further to , the area of cross-section decreases to 12 and and length elongates to 12210 as shown in figs. 2.3 b-c-d. The conventional stress and conventional strain are obtained in each case by It clearly shows that the original A is assumed constant .This criteria may be true for elastic range only as elastic reduction in cross-sectional area is negligible , being only about 0.1% . The strains are also very small. However, while dealing with the plastic range, the reduction in cross-sectional area and the strain are large (compare Fig. 2.3 a and b). Hence cannot be taken as constant, and may not be used for strain calculations at all the loads. Thus the need arises to obtain true stress and true strain in plastic range. These are determined in steps as follows [4]. Fig 2.3: Stages in the formation of a cup-and-cone fracture [4]. 2.3 Universal Testing Machine The servo hydraulic testing machines provide both load controlled and displacement control machine. These versatile machines are well adapted to computer control. With modern computer control it is possible to conduct tests based on the control of calculated variables such as true strain or stress intensity factor. Fig2.4 shows a picture of Universal Testing Machine. In UTM top cross head can be adjusted to three positions for extended tension tests (the left hand side of the machine). There are two main hand wheel controls, one for applying and the other for releasing the load. The loading valve is designed in so manner that at any setting, needed for applying incremental loads, for applying the loads quickly, for holding the loads steady and for removing the loads. An autographic recorder is used to plot the stress-strain curve during the test itself. Specimens are attached to a movable grip and to a fixed side-gripping device. A parallel spring is made of four thin plates to serve as the straight guide mechanism for the movable grip. The movable grip and straight guide mechanism are lifted over the base of the tensile testing machine so that they were not affected by friction which would otherwise seriously impair the accuracy of the Tensile Tests. Load is applied by pulling (using a precision translation stage driven by a D.C. motor) one end of steel belt, the other end, is connected to the movable grip. A load cell with a rated capacity is used to measure the load, which is the sum of the loads applied to the specimen and parallel spring. The load applied or the specimen is calculated by subtracting the load applied to the parallel spring, calculated from the Fig 2.4: Universal Testing Machine. [3] Characteristics of the parallel spring measure in advance, from the measure load. The elongation was determined by measuring the relative displacement of the two gauge marks on the specimen. The characteristics of the testing machine have a strong influence on the shape of the stress-strain diagram and the fracture behavior a rigid testing machine with a spring constant is known as a hard machine. A screw-driven mechanical machine tends to be hard machines, while hydraulically driven testing machines are soft machines. A hard testing machine produces the upper and lower yield point, but in a soft machine only the extension at constant load will be recorded. Universal Testing Machine is used to conduct the Tensile Test. There are two types of machines used in tension testing. 1. Load controlled machine 2. Displacement controlled machines [3]. 2.4 ELASTIC CONSTANT Materials may be isotropic, orthotropic, and anisotropic. Isotropic materials posses four elastic constants named Youngs modulus Poissons ratio shear modulus and bulk modulus These constants are invariant and do not ordinarily change under any effect . Strain and stress on basis of atomic theory Force versus distance of atomic separation curve and bond length described in fig 2.5.The inter-atomic equilibrium distance decreases to when a compressive force is applied. Similarly on application of a tensile force the inter-atomic equilibrium distance decreases to this externally applied force is equal in magnitude but opposite in nature of inter-atomic force Therefore (2.4) Fig 2.5: Change in inter atomic distance on application of compressive forces [5]. Where is the potential energy which in the most general way can be expressed as (2.5) Hence are constant in which .The increase in length of interatomic distance is called elongation, and is given by to (2.6) Similarly the decrease in length of inner -atomic distance is called contraction ,and it is express as, (2.7) (a). The Strain is then defined as the change in length of inter atomic distance over bond length . The tensile strain ÃŽÂ µt and compressive strain ÃŽÂ µc are related as [5] ÃŽÂ µt = = and ÃŽÂ µc = = (b). The Stress à Ã†â€™ is defined as the internal resisting force i.e. inter atomic force F per unit cross sectional area A of a material. Therefore à Ã†â€™ = Due to Eqs. 2.4 and 2.5 it can be written as à Ã†â€™ = = = (2.8) The stress can be either tensile or compressive in nature. Poissons Ratio: A material, subjected to a tensile stress, elongates in the direction of tensile axis but contracts in the transverse direction the transverse strains always bear a constant ratio, with the longitudinal strain. This ratio is called Poissons ratio and is expressed by (2.9) Youngs modulus: In the fig 2.5 a tangent is drawn at .It coincide with the curve over a small range and . AB is in elastic region. This slope is proportional to the youngs modulus E of a material, Thus [5] It may be approximated that the force acts on area which is the average area per atom since number of bonds per unit area is 1/ and also knowing macroscopically that stress is proportional to strain within elastic limit (Hookes law), (2.10) (2.11) The youngs modulus is also known as modulus of elasticity or elastic modulus. Its value for a material is influenced by factor such as bonding character, temperature, and anisotropy strongly bonded solids with three dimensional network possess high values of elastic modulus [5]. The effect of temperature is to lower down the elastic modulus by 10% to 20% between 0 K to melting point .The variation of as a function of temperature for carbon steel can be expressed by (2.12) Where is in Kelvin and is in kgf/cm2 Shear Modulus: The ratio of shear stress and the shear strain ÃŽÂ ³ is defined as shear modulus or modulus of rigidity It is related to the Youngs modulus and Poissons ratio by (2.13) Bulk Modulus: A material under three dimensional loading is subjected to the stresses axes respectively. The initial volume of the material changes by then lk modulus or modulus of elasticity of volume is defined as the ratio of average stress to volumetric strain and is expressed by [5] (2.14) Where (2.15) And (2.16) (2.17a) (2.17 b) (2.17c) Here are the linear strains along axes respectively.is related to and by = (2.18) The three elastic modulii are related as (2.19a) In materials such as gels, pastes, putties and colloidal system, therefore (2.19b) 2.5 FRACTURE TOUGHNESS Fracture toughness, is defined as resistance of a material to failure from fracture starting from preexisting crack. Mathematically, it is expressed as = (2.20) Where is a dimensionless factor which depends upon the following: The geometry of the crack and material. 2. The loading configuration if the sample is subject to tension or bending. 3. The ratio of crack length to specimen width. 4. Amount of load (stress) applied to the specimen Where = crack length. = width of specimen Fig 2.6: A specimen with an interior crack [6]. Note that the entire crack length is equal to a Fig 2.7: A specimen with a through-thickness crack [6]. Fig 2.8: A specimen with a half circle surface crack [6]. Figure 2.6 shows that a is not always the total length of the crack, but sometimes it is half of the crack length in case of Interior crack [6]. The values for Y vary with respect to the shape and location of the crack. Some important values of Y for short cracks subjected to a tension load are as follows: For an interior crack which is shown in fig 2.6. For a through-thickness surface crack which is shown in fig 2.7 For a half-circular surface crack which is shown in fig 2.8 Fracture toughness,has the English customary units of psi inch1/2,and the SI units of MPa m1/2 2.5.1 Plane strain fracture toughness For thin samples, the value decreases with increasing sample thickness, b, as shown in Figure 2.9. Finally, becomes independent of b, called as the conditions of plane strain. This fixed value of becomes known as the plane strain fracture toughness. Mathematically, it is expressed as: = [7]. (2.21) Fig 2.9: A fracture toughness vs. thickness graph [7]. This value for the fracture toughness is the value normally specified because it is never greater than or equal to. The I subscript for, stands for mode I, or tensile mode [7]. 2.5.2 Fracture toughness testing machine A sharp fatigue crack(break) is inserted in the specimen, which is loaded to failure. The crack driving force is measured for the failure condition, giving the fracture toughness [9]. g Fig 2.10: Fracture mechanics testing. [9] 2.5.3 Test specimens for fracture toughness The mostly uses fracture toughness test configurations are the single sharp edge notch bend (SENB or three-point bend), and the compact (CT) specimens, as shown in fig 2.11. These type of compact specimen has the advantage that it requires less amount of material, but is more expensive to machine and more difficult to test compared with the SENB specimen. Special requirements are needed for temperature control, for this purpose we use an environmental chamber. The SENB specimens are typically immersed in a bath for low temperature tests. Although the compact specimen is loaded in tension, the crack tip conditions are predominantly bending (high constraint). If limited materials are available, it is possible to construct the SENB specimens by welding extension pieces (for the loading arms) to the material sample. (Electron beam welding(EBW) is typically used, because the weld is narrow and causes little distortion). Fig 2.11: Examples of common fracture toughness test specimen (a) SENB Specimen (b) CT Specimen [10]. Other specimen configurations are the centre-cracked tension (CCT) panels, single edge notch tension (SENT) specimens, and shallow-crack tests. These special types of tests are connected with lower levels of constraint, and can be more structurally representative than standard CT or SENB specimens. The SENT specimens are being used to determine fracture toughness of pipeline girth in submarine pipelines, especially where the installation method involves plastic straining. The position and orientation of the specimens are important. The location and orientation of the notch is critical, especially for welded joints. The orientation of the notch is defined with respect to either the weld axis or the rolling direction or forging axis of other components. In the standard SENB C T specimens are shown in Fig 2.11, the notch depth is range of 45 to 70% of the specimen width, W, giving a lower-bound conservative estimate of fracture toughness, because of the high level of crack tip constrai nt generated by the specimen design only [10]. 2.5.4 Fracture toughness Measurement Fig 2.12: Two ASTM standard compact specimen of different Widths (b). [8] There are many different experiments which can be used to obtain a value of. Almost any size and shape of sample can be used as long as it is consistent with mode I crack displacement. A possible and very simple experiment that can be performed to find a value for fracture toughness by screw-driven universal testing machine. This testing machine loads the specimen, at a constant strain rate, while a Load vs. Displacement curve is plotted by an X-Y recorder. From this plot, a possible value for Y can be calculated. With this value can be calculated. [8] 2.5.5 Effect of temperature on fracture toughness Fracture toughness varies with temperature, crack size and crack location and does not change with sample thickness. Fracture toughnessdoes also vary with strain rate, shown in figure 2.13 [9] Fig 2.13 : Fracture Toughness vs. Temperature for several steels. [9] 2.6 SURFACE ENERGY Surface energy is defined as the potential energy per unit area of surface film. It may be also defined as the amount of work done in increasing the area of the surface film through unity. Surface energy per unit area is also known as surface tension of liquid [11]. 2.6.1 Surface energy measurement of the solid The surface energy of a liquid may be measured by stretching a liquid membrane (which increases the surface area and hence also the surface energy density). In that case, in order to increase the surface area of a mass of the liquid by an amount, , a quantity of work, is needed (where is the surface energy density of the liquid). However, such a method cannot be used to measure the surface energy of a solid materials for the reason that stretching of a solid membrane induces elastic energy in the bulk in addition to increasing the surface energy. The surface energy of a solid is usually measured at high temperatures. At such temperatures the solid creeps and even though the surface area changes, the entire volume remains approximately constant [11]. 2.7 FATIGUE POTENTIAL ENERGY (U0) AND LETHARGY COEFFICIENT (ÃŽÂ ³) The dynamic fatigue equation for high-cycle fatigue under fully reversed tension-compression loading is given by [12]. =constant (2.18). From Eq. (2.18) we can say that (2.19) Where is alternating stress amplitude that gives and=1 Eq. (2.18) is rewritten as â‚ ¬Ã‚   (2.20) Lethargy coefficient can be calculated from S-N curve, to the a variation of stress amplitude to the logarithm of number of cycles to failure, as shown in fig 2.14 Fig 2.14: The S-N curve [12]. 2.8 MICROSTRUCTURAL PROCESS UNDER HIGH- CYCLE FATIGUE LOADING For high-cycle fatigue conditions, stress amplitude is below yield strength of the material, so that the strain is normally elastic. If strain is purely elastic, These will be no fatigue because elastic straining is, a reversible process. However, this difficulty is associated with over-simplification introduced by concept of a yield strength and assumption of purely elastic deformation below this yield strength. All metals undergo a minor amount of plastic strain even at low stresses. This is called microstrain, because at stresses well below yield strength the magnitude of plastic strain is small as compare to elastic strain. Microscopic examination of surfaces of samples that have been subjected to cyclic loading reveals that micro strain occurs in homogeneously in the sample, with the entire strain seemingly concentrated in a relatively few slip bands. These slip bands form during the first few thousand cycles and remain active until after a crack is formed. Because straining in these bands continues after the bulk of material has stopped undergoing strain, they are called persistent slip bands. Since the strain is so inhomogeneous, plastic strain amplitude in persistent slip bands is quite large compared to average strain amplitude. Thus damage accumulation leading to crack formation can continue in persistent slip bands at very low average plastic strain amplitude. The nature of damage which leads to crack formation in high cycle fatigue seems to be related to formation of intrusions and extrusions within slip bands. In this phenomenon, material is pushed out of surface at one point in the band and material is drawn in to form deep valleys at other points in the bands. Once a true crack has formed in a material, the presence of the crack itself dominates the stress and strain behavior in its vicinity. The development of the theory of fracture mechanics to describe the behavior of bodies which contain cracks has been quite useful in reaching an understandi ng of the process of crack propagation in fatigue [13]. 2.9 SURFACE ENERGY AND FRACTURE TOUGHNESS The Arrhenius model for the fatigue life equation and Zhurkovs static fatigue equation are of the same type, given as [14] = (2.21) Where = fatigue life of the material = material constant = Kelvin temperature =bonding energy constant of material = lethargy coefficient = function of dynamic fatigue model The fraction of the life already passed by as follows , (2.22) = fraction of the life passed in the time interval dt. The whole life is integrated like = 1 (2.23) In ordinary uniaxial Tensile Test, it is assumed that temperature is constant and that the stress increases linearly Eq. (2.23) becomes Where is the time from the start of loading up to fracture. Because fracture begins at the ultimate tensile strength, the stress is maximum at Eq. (2.23) is simplified as (2.24) The surface energy per mole is defined as (2.25) and the surface energy per unit area as = (2.26) Where surface energy per unit area for elastic brittle fracture is the time for elastic brittle fracture In terms of displacement, the surface energy is given as = (2.27) Eq. (3.27) can be written as = (2.28) Finally fracture toughness may be given as . (2.29) 2.10 CONCLUDING REMARKS In this chapter we have discussed that fracture toughness is very important for welded joints where geometric effects are complex .Theory of Tensile Test, elastic constant and surface energy and fracture toughness are presented in this chapter. The derivation of fatigue potential energy, lethargy coefficient, and surface energy per unit area, surface energy per unit mole and fracture toughness from dynamic fatigue equation are carried out.

Friday, October 25, 2019

Nationalism and Sectionalism :: essays research papers

1. The three components of the American System were establishing a new protective tariff, starting a new transportation system and restoring the national bank. Henry Clay thought that each of these components would strengthen and unify the nation because he thought the American system would unite the nation’s economic resources because the south would grow food and raise animals that the north would eat and in return the south would by the manufactured goods the north made. A new transportation system would allow trade between the north and the south. Now America could finally become independent economically. And the tariff would help because during the War of 1812 British merchants brought a great deal of products to the United States and sold them at much lower prices than American made goods, so the tariff would raise the prices of the British goods so the American merchants could sell their products at a lower price.   Ã‚  Ã‚  Ã‚  Ã‚  2. Female workers in Lowell, MA can be compared to slaves in the south in many ways but they are also very different. The conditions that the women in Lowell and slaves had to live in were very unsanitary and unbearable. The woman even felt like slaves. They were constantly watched as were slaves and they were also forced to go to church. Unlike slaves they were paid, even though they were paid very little because they could do the work of a man but get paid less, they still got paid. They had choices of what jobs to do where slaves were assigned to certain jobs. The women got some free time and even a 30 minute lunch break while slaves had very little or no brakes at all.   Ã‚  Ã‚  Ã‚  Ã‚  3. While John Marshall was chief justice the Supreme Court promoted the idea of nationalism. In the Supreme Court case Gibbons vs. Ogden help make certain that the federal government had power on pretty much everything crossing any state lines. Another case also supported the national government over the state government, it was McCulloch vs. Maryland.   Ã‚  Ã‚  Ã‚  Ã‚  4. America’s foreign policy followed and promoted the idea of nationalism between 1825 and 1825 by making a treaty with Great Britain to trim down the number of military fleets at the Great Lakes. Also the Rush-Bagot Treaty made America and Canada remove all their troops from their shared border. John Adams also held the convention of 1818, which made a compromise with Britain to share the Oregon territory. Nationalism and Sectionalism :: essays research papers 1. The three components of the American System were establishing a new protective tariff, starting a new transportation system and restoring the national bank. Henry Clay thought that each of these components would strengthen and unify the nation because he thought the American system would unite the nation’s economic resources because the south would grow food and raise animals that the north would eat and in return the south would by the manufactured goods the north made. A new transportation system would allow trade between the north and the south. Now America could finally become independent economically. And the tariff would help because during the War of 1812 British merchants brought a great deal of products to the United States and sold them at much lower prices than American made goods, so the tariff would raise the prices of the British goods so the American merchants could sell their products at a lower price.   Ã‚  Ã‚  Ã‚  Ã‚  2. Female workers in Lowell, MA can be compared to slaves in the south in many ways but they are also very different. The conditions that the women in Lowell and slaves had to live in were very unsanitary and unbearable. The woman even felt like slaves. They were constantly watched as were slaves and they were also forced to go to church. Unlike slaves they were paid, even though they were paid very little because they could do the work of a man but get paid less, they still got paid. They had choices of what jobs to do where slaves were assigned to certain jobs. The women got some free time and even a 30 minute lunch break while slaves had very little or no brakes at all.   Ã‚  Ã‚  Ã‚  Ã‚  3. While John Marshall was chief justice the Supreme Court promoted the idea of nationalism. In the Supreme Court case Gibbons vs. Ogden help make certain that the federal government had power on pretty much everything crossing any state lines. Another case also supported the national government over the state government, it was McCulloch vs. Maryland.   Ã‚  Ã‚  Ã‚  Ã‚  4. America’s foreign policy followed and promoted the idea of nationalism between 1825 and 1825 by making a treaty with Great Britain to trim down the number of military fleets at the Great Lakes. Also the Rush-Bagot Treaty made America and Canada remove all their troops from their shared border. John Adams also held the convention of 1818, which made a compromise with Britain to share the Oregon territory.

Thursday, October 24, 2019

The Greenhouse Effect Essay

Rationale The â€Å"Greenhouse Effect† is a term that refers to a physical property of the Earth’s atmosphere. If the Earth had no atmosphere, its average surface temperature would be very low of about 18â„Æ' rather than the comfortable 15â„Æ' found today. The difference in temperature is due to a suite of gases called greenhouse gases which affect the overall energy balance of the Earth’s system by absorbing infrared radiation. In its existing state, the Earth atmosphere system balances absorption of solar radiation by emission of infrared radiation to space (Climatological Information Service). The greenhouse effect of the atmosphere has never been doubted. Most of the sun’s radiation is visible light, which passes through the atmosphere largely undeterred. When the radiation strikes the earth, it warms the surface, which then radiates the heat as infrared radiation. However, atmospheric CO2, water vapor, and some other gases absorb the infrared radiation rather than allow it to pass undeterred through the atmosphere to space (Titus, J. G., et. al.). A balance of naturally occurring gases dispersed in the atmosphere determines the Earth’s climate by trapping solar heat. This phenomenon is known as the greenhouse effect. As sunlight passes through our atmosphere, the incoming solar radiation is eradiated from the Earth’s surface as heat energy. Greenhouse gases trap some of this reradiated energy, which warms the Earth (The greenhouse effect, etc.). Objectives The aim of this seminar series is to help develop an emerging field at the intersection of multi-disciplinary understandings of greenhouse effect. It will also help educated participants to develop environmental awareness and integrate in applying theories and management skills for future generation.

Wednesday, October 23, 2019

West African Theater Essay

African theatre is influenced by African dramatic traditions and Western theatre. The influence of Western styles originates from European presence, European education , and the artists training outside of Africa. The magnitude of foreign influence varies from country to country. This influence slowed the development of African theatre in Zimbabwe. For example, productions continued to exemplify Western theatre. The Afrocentricity in West Africa in the 1960s was a reaction to the oppression of French Directors. They left a mark on production styles. Examples of such oppression can be seen in the Daniel Surano Theatre in Senegal. This is where the productions of Aimà © Cà ©saire can be seen. The productions of Bernard Dadià © reflect French comic traditions and Jean Pliya is one the many of playwrights focused on the European historical events. The writing of Western playwrights has resulted in a literary style that appeals to a sophisticated and rare audience to which dance and mu sic productions have a minor role in the theatrical arts. Village theatre in Africa is based on the tried and true traditions of music, song, dance, and drama. This produced a fertile foundation for the development of urban contemporary theatrics. Theatric entrepreneurs built upon the traditional village storytelling and borrowed production styles from the European productions performed in West African urban areas in the 20s and ’30s. Concert productions traveled in Togo and Ghana. During the 50s the Ghanaian â€Å"Trios† appeared with Bob Cole and his company performing for audiences in Accra with hilarious dramatizations of the local events. The first professional theatres in Nigeria were produced by the local  actor-managers. The three most successful were Kola Ogunmola, Duro Ladipa, and Hubert Ogunde. They were all Yoruba and started work as teachers by making plays based on the Bible stories in African churches. Ogunde’s first production was The Garden of Eden (1944) in the Church of the Lord. Then in 1945 he mad e a satire called Strike and Hunger. It was based on the clash between Nigerian workers and the European bosses. Ogunde’s success had allowed him to create the Ogunde concert party. It had a style similar to the British concert parties of the time. They performed domestic comedies and political satires between the opening and the closing with interjections of song and dance unrelated to the plot. The popularity Nigerian independence in 1960 brought an explosion of productions in the urban arts focused on new African forms and the disapproval of European influences. This resulted in an imaginative presence in literary and popular theatre that was to be influential throughout Africa. Yoruba Opera companies, also known as traveling theatres, had hit the road. Ladipo produced spectacular productions based on themes from Yoruba mythology and history. His series on the kingdom of Oyo was published in 1964 as Three Yoruba Productions (Oba Koso [â€Å"The King Did Not Hang†], Oba Moro [â€Å"The King of Ghosts†], and Oba Waja [â€Å"The King Is Dead†]), had the power and mythology similar to a traditional Greek tradegy. Kola Ogunmola created comedies portraying himself as the amazing actor and mime. He modified the techniques of Ogunde by replacing the saxophones with the Yoruba drum. He wrote strictly structured lines without destroying the gentility of the social satires. His most commonly seen production is Ife Owo (1950; Love of Money). His greatest success was with Omuti Apa Kini (1963). Although Ogunmola and Ladipo died in the 70s, their legacy lived on as decorated trucks transported Yoruba Opera companies to one-night performances in towns and villages. The Yoruba musical drama Obaluaye (1970) was composed by Akin Euba and it had an impact on the work of literary playwrights such as Ola Rotimi. and Wole Soyinka. Ola and Wole spent many years as university playwrights/directors and their ability to stage their own works led them to have a strong theatric skill set. Wole Soyinka was a brilliant critic and satirist who was the first African to win the Nobel Prize for Literature in 86 was regarded as Africa’s best writer. His art reflects the difficulties facing an African playwright writing in English. He moved from naturalistic treatment of his subjects to the Yoruba view of subjects. His early satires The Trials of Brother Jero (1960) and  Lion and the Jewel (1963) are popular with all English-speaking audiences. However the philosophical and verbal complexities in his later works are aimed at the select few. Death and the King’s Horseman (1975) and The Strong Breed (1963) are focused on the impact of cultural conflict. On the other hand, Soyinka’s political satires, such as Kongi’s Harvest (1965), are both raw and entertainment focused. A Dance of the Forests (1963) and The Road (1965) described the complicated dramatic paradoxes of African life through the Yoruba myths. Secondly, Soyinka criticized the myth of th e glorious African past by rejecting the African concept that the revival of African culture has to come from African cultural heritage to be made for and performed to celebrate the Nigerian independence of October 1960. His drama became pessimistic after the civil war in Nigeria. This can be seen in Madmen and Specialists (1970). He also used past historical events and new versions of old productions to create new productions. His rendition of the Bacchae of Euripides was observed by many in the National Theatre of London in 1973. The Opera Wonyosi was a version of The Beggar’s Opera that was seen in the University of Ife in 1977. Ola Rotimi created theatrical English imbedded with African proverbs and idioms. His style of directing made good use of active movement and resulted in enthusiastic responses from universities and popular audiences. Rotimi was best at historical tragedies such as Ovonramwen Nogbaisi (1971) and Kurunmi (1969) which dealt with the Yoruba wars. He also had a knack for satire. An example would be Our Husband Is Gone Mad Again (1966). In the field of directing, Soyinka and Rotimi both made imaginative use of dance and music. Intercultural exchange had strange results in Ghana. In the 60s Saka  Acquaye’s The Lost Fisherman is a musical based on the â€Å"highlife† and it was a popular success. Another success story was Efua Sutherland’s traveling theatre which produced productions based on the village storytelling and local village themes. Her productions in English used the Greek models. Ama Ata Aidoo was the most famous Ghanaian playwright in the post 60s period. The Dilemma of a Ghost (1964) showed the complicated cultural conflict occurring Ghanaian village when a young adult returned from his studies abroad and he brought his new African American wife along with him. Anowa (1970) is a play that deals with the role of Africa in the slave trade and the servant like treatment of women. Commonly, Hausa drama has a strong appeal and originates from the dramatic style of the old storytelling. It is centered on social problems. It is especially focused on the stories involving the Hausa family and its complications with polygamy. This idea has been contreversial in many productions such as Tabarmar Kunya (1969; â€Å"Matter of Shame†) by Dauda Kano and Adamu dan Gogo. Some productions satirize the uneducated people’s dependence on Muslim scholars. An example would be Umaru Balarme Ahmed’s Buleke (1970) and it shows characters who lead the hectic modern lifestyle and continued to hold onto the roots of the old country. The productions are commonly performed in schools and frequently broadcasted on television and radio. Kabbada is an important Ethiopian playwright who created the historically based production Hannibal and it was performed in Dakar, Senegal, in 1966. The most remarkable work of Mangistu LammÄ  is the play Yalaccha Gabbiccha (â€Å" Marriage of Unequals†) and it deals with social inequality. It was performed for the first time in the Addis Ababa in 1964. It is a production showing a family going through a transition from the ways of the old country to the soulless reality of city life. Somali theatre had been firmly grounded since the 50s and is very popular. Many have yet to be published to the mass public. Shabeelnagood (Leopard Among the Women) was written by Xasan Sheikh Mumin and it is a production about a heartless trickster who marries naà ¯ve and young women. It was originally published in Somali and translated to English in 1974. It had its first performance in Mogadishu in 1968 and it also had radio  serialization along with a successful tour. Somali theatre has been compared to the theatre of the Elizabethan era in England because of its unique combination of popular culture and sophisticated art and its capacity to generate interest for a large demographic section of the 20th century population. Personal Analysis Upon analyzing the information it is understood that the European empires injected their artistic theology into West African theater resulting in an entertaining composite style. In some ways this was a positive change for the artists in African theater; it was this change that created a modern African style with the ability to deliver traditional storytelling to a broader audience. Bibliography 1.Abiodun, Rowland, Henry John. Drewal, and John Pemberton. The Yoruba Artist: New Theoretical Perspectives on African Arts. Washington: Smithsonian Institution, 1994. 9 Sept. 2013. Web. 9 Dec. 2013. 2. Ann Wynne, Elizabeth Gunner, and Peggy Harper Jr. â€Å"African Theatre (art).† Encyclopedia Britannica Online. Encyclopedia Britannica, 2013. Web. 09 Dec. 2013. 3.Ogunba, Oyin, and Abiola Irele. Theatre in Africa. Ibadan, Nigeria: Ibadan UP, 1978. Web. 9 Dec. 2013.

Tuesday, October 22, 2019

Is Helmut Newtons photography artistic Essay Example

Is Helmut Newtons photography artistic Essay Example Is Helmut Newtons photography artistic Paper Is Helmut Newtons photography artistic Paper Abstract Photography is a very interesting media to convey messages, feelings and opinions, and leaves a wide range of styles and methods how to do so. The photographer Helmut Newton developed a way to show his own imagination of reality and express his feelings, which is criticised by many people, for as some do not see the art in his work. They rather accuse it to be pornographic. By looking at the development of his work over time and the true meaning of his pictures, the legal side of publishing these pictures and the reproaches of his so called greatest enemy, the feminist Alice Schwarzer, I tried to show how the question whether Helmut Newtons work is artistic or pornographic is related to a created war between sexes, the battle between Newton and Schwarzer. Whilst there are many books about photography, I only could find a few information about Newtons work, mainly taken from his own autobiography, for as public places, such as libraries did not had any material. I guess this is because of the context of his work. Nudity does not seem to be at its right place in a public library. However, I was willing to research Newtons work in detail at first hand, when I for example went to one of his exhibitions. But this all just showed me how interesting this topic is. For as I only see the artistic material in his work, others totally exclude it from the art-section. This seemed to be a matter of opinion, a matter of choice. My conclusion therefore is based on the fact, that people have their own right to decide what is pornographic, without being influenced by others. (283) Background Information Helmut Newton was born on Sunday, 13. October 1920 in Schoeneberg, Berlin as a son of a wealthy button manufacturer. His father enrolled him in the American School of Berlin, but he was expelled because he chose to dream about photography, swimming, and girls instead of completing his schoolwork. Later on in 1936, Newton started working on his career as a photographer and became an apprentice at the studio of the famous and well known Berlin photographer Yva, whose real name is Elsie Simon. He completed his placement after two years. Because of the great pressure of the National Socialists on the Jewish society, he left Germany in 1938 to go to Singapore, where he accepts a position as a photojournalist for the Singapore Straits Times. However, he was fired two weeks later due to incompetence. 1 After spending a couple of years in Singapore without work, trying to sleep himself through life, he lost any professional ambition. He had indifferent opinions about photography. In 1940, being only 20 years old, he got carried off to an Australian internment camp. As there was a change of government, he left the camp and after he was discharged from the army, Newton first changed his name from Helmut Neustaedter into Helmut Newton and then opened a small photography studio in Melbourne. In 1948, Newton married the actress June Brunell, which started in 1970 her own photography career under the name of Alice Springs. Newton began contributing fashion photos to French Vogue in 1961 and continued to do so for twenty-five years. During this time, he also was a regular fashion contributor to Linea Italiana, Queen, Nova, Jardin des Modes, Marie-Claire, Elle, and American, Italian and German Vogue. Introduction Helmut Newton recently had an exhibition in the NRW-Forum, Di sseldorf, Germany to celebrate his eightieth birthday. It was called Helmut Newton-Work and it included his 200 favourite pictures from the three most important areas fashion, nudes and portraits- from his last forty years of work, but arranged by his wife, June Brunell, who is said to have a major impact on Newtons photography. As his work has fascinated me over several years and I had shown great interest in this photographer from the moment I first saw his work, for me the pictures presented in the exhibition were unbelievable fascinating and they held my attention for ages. I looked at every detail and interpreted them and made up my own little stories, to find out what lies behind these pictures. They really impressed me and inspired me, giving me lots of ideas I would like to try out in photography myself. Photography is a great method to mediate and convey messages, ideas and emotions. For as I know that to give a photo the right expression you have to be talented and skilled, I can say that Helmut Newton is one of the most talented photographer, as he creates such an extensive and controversial work. However, I should add that, from what I have read of Helmut Newton himself, I am disgusted by him, his character and his beliefs, but this does not change my opinion about his work as I am still fascinated by his pictures. I am thrilled of the way he uses his surrounding to create this famous and special atmosphere in his pictures and often caught myself wishing to be set into pose by him one time. Peoples opinions however, tend to be different when it comes to Newtons work. Some people, mainly women, feel offended by his pictures or at least are not happy about the idea Newton uses to mediate his massages. I went to the exhibition with my mum and afterwards we both argued about which of these pictures should be allowed to be published and which should not, and we certainly did not come to an agreement where the line is, that should not be crossed. The phenomenon Newton would be not conceivable without the womens movement. (Bild) The womens movement has developed and grown during the period of Helmut Newtons career. Now feminist criticism is established in universities, in parts of the media, and in the minds of many people in everyday life. Whilst I really enjoy Helmut Newtons work I am aware of feminist criticism of it. Many of them title his work as voyeuristic and pornographic. It is in the context of these ideas and theories that I need to work out my own thoughts. This woman cannot run away, not even before Newtons fantasies. 2 (Alice Schwarzer). There have been many writers and commentators on Helmut Newtons work, but I have decided to focus on the writing of Alice Schwarzer, whose words are quoted above. For me, these anti-Newton writings represent the best known and most extreme reaction against the photographers work, especially in Germany. Is Helmut Newtons photography artistic or pornographic? This is my research question. My hypothesis and thesis and argument is that Helmut Newtons work is not pornographic. My belief is that the answer to this question lies with each individual. Therefore, I will argue that the photographs are not pornographic for me. However, Alice Schwarzer made it very clear, that they are indeed pornographic to her, and it is also clear that she would like to persuade me and all her other readers to take the same view. For me, I am not interested in trying to persuade others what to think, but simply, in exploring my own responses to the work. In this way, I feel that I am close to Helmut Newtons own point of view in that his art is made for himself. Main Body / Development Pictures can influence the perception of the true reality better and more effective than words. This concept was already followed by the Old Testament picture prohibition, which consists of the commandment Thy shall not make for yourself an idol3. However, this did not mean, that there was no allowance for art, as the religious started to use symbols (such as the white dove symbolises the Holly Spirit) to make their point. Pictures transport messages and raise emotions. And in our modern media society the dependence of simple visual perception and its power increases. The actual meaning of a picture, however lies rather in what kind of different details in the photo cause different feelings in our selves than just its outer look. That is why the meaning and the emotional message is dependent on the person who is looking at the picture, as the personal perception and the experience of life play a major role in deciding what we observe as reality. This person then may decide, whether the artwork he or she is looking at is artistic or not. Deciding on whether something is artistic, we first have to define the word art. Although today there is no universally accepted definition of art4, I would define art as an imitation of reality and an expression of what the artist feels. An artistic arrangement, design etc. therefore looks attractive and has been done with skill and imagination. 5 Our interest in art involves aesthetic evaluation, which might be positive or negative. Not just the viewers but also certain artists have different opinions of what is beautiful and artistic and how it should be expressed. Although Newton does not want to be seen as an artist (this fine-art crap is killing photography, in my vocabulary, art is a dirty word. 6), looking at my definition of art and his statement I use what God gives me, but arrange the world the way I like it. 7 would prove him wrong, as God gives the reality and Newtons feelings arrange his own world. It is said that an artist develops his own style through a creative reputation. For the artist therefore a sure measurement of achievement is, when the work produced continues to stay in our minds even a long time after we first got into contact with the works surface charms. There are many people, that see these surface charms as a barrier from looking deeper into Newtons photographs. For them, his pictures still cause accusations of sexual voyeurism. In todays life, nude pictures involving any kind of human being whether black or white, young or old, stand in the shadow of political and moral disapproval it could never hope to support. But why criticising and abusing Newtons work as voyeurism, if it is said that distance generates mystery and enchantment? 8 Though it is not just Newtons own work that bashes people, but more or less his influence, the influence on the viewer, the outside, the society. Newton is said to be one of the best fashion photographers of his time. He often surprises us with work that goes far beyond what an magazine editor would require. It all began in Paris in 1961, when he started his career at the French Vogue. It is a well known fashion magazine for women, that often shows the way women are looked at. A few years later, the simple fashion photos became more taboo-braking as he used implications of bestiality9. One example of this is the series he produced in the American Vogue in 1975. There, women with metal chains were presented in leather cloths, the reputation of fashion being clean and light was destroyed by a single picture series showing dirt and dark colours on the skinny bodies of the female models. Although the women were so powerful illustrated, they had a sense of submissiveness to the viewer. These pictures were telling a story; a story that was different from mind to mind. It was different to what people were used to. This was not just fashion photography anymore. It was new and it was created by Newton. Fashion photography started in the early 20th century and is said to create an image of the society, reflecting the reality and creating an important role that women play in it. It is used to sell the product that it displays, using the agency of temptation and the desire they inspire. From the start, fashion photography had close similarities with portraiture and it was not clear, where the dividing line between these two categories laid. But as no other photographer did, Newton succeeds in overshooting these lines between fashion and portraiture, combining it with nudity and nearly dissolve these lines, so that there is no clear difference anymore. It is not simple to classify a picture of Newtons to a particular genre, as it often happens that a fashion photo is nude, a nude is fashion and also portrait at the same time. It seems like Newton really enjoys playing with these genres, making it not clear to the viewer which one it belongs to. These created images constantly evoke contradictions. Real and artificial, feminine and masculine, subject and object, nude and dressed, are just some of them. (PICTURES) Women that are once dressed and then undressed again, in the same situations and poses, great, large images of nude women executed in series (such as the Big Nudes, Naked and Dressed, Domestic Nudes) he developed an infinitive repertoire. Infinitive are also the different poses and situations the models are shown. No other photographer has ever shown the female body in so many different ways, though with the help of unusual material, leaving many imaginary situations, desires and stories, which do all evoke and express his life (and ours) in a miraculous way. This is not typical and certainly not required in fashion photography, however, it is what makes Newtons work so unique over the past time and compared to other artists work. Therefore we can say, that Newton has always been much more than a fashion photographer not only, because he created this own unique style but also because he insists that concept is more important than cloths. 10 He became one of the most famous star photographers in every way. Politician, actors, artist everyone wants to be set into pose by the master of the oppressive fantasy. He portrayed people from every kind of political and aesthetic matter: Helmut Kohl in front of the German oak, Gerhard Schroeder in front of a brick wall, Andy Warhol in bed and Anthony Hopkins with an evil but mystical look. For me all these different pictures show that he is definitely a figurative artist who has the skill of using the medium of photography to create a unique imaginative world. (PICTURES) A remarkable change to the view of fashion photography happened in the years between the sixties and eighties. In this decade years of extreme creativity and productivity were created and it was during these years that the unique originality of Helmut Newtons vision took shape, that is to always try to find a new concept of beauty. In his tending to be aggressive and provocative photos, Newton reached the point where he displayed the difference between the sexes to such an extent that many parts of the society, mainly feminists, titled him with the presumption of misogyny and grouped together to make a clear stand against him. Although Newton always tried to imagine and visualise women exactly as they are. He seems to be interested especially in presenting those women that are not following but leading themselves, women, that desire and love whomever and whenever they like, most important in whatever way they like. He shows women that have command upon their own bodies and are free and willing to present them in this powerful way, that he is most famous for, women who are both responsible and willing. 11 Newton insists on the question: How do we see the women? Definitively, he has already left his answer for the world. The phenomena Newton would also not be considerable without the womens liberation. Looking at Newtons work from the beginning, one can see that parallel to his development of photography in the past forty years, the women rights and therefore their self-confidence has also changed. Women became more self-confident and independent and claim their rights of their own body. This development is visible in the art work of Newton. Whereas the women in Newtons photos from the 70s and the beginning of the 80s look less confident with their eyes slightly to the floor looking bashful into the camera, the women of the 80s and 90s radiate self-confidence. A development that Newton could not influence. Looking at that perspective, one could see Newtons work as a mirror of our time, reflecting the past and the history. (PICTURES) Accused of treating them like objects, called misogynous, porno-chic or perverted, the photographer has never been afraid of crossing the frontiers between moral and aesthetic and in his way, reinvent concepts such as the feminine, eroticism, sexuality and power. Ironically, it is the feminine side, that accuses and dislikes Newton and his work the most, although it is him who seems to command and admire women to a great extend, just as he wants the viewer to admire and love them. The war between the sexes (PICTURES). One woman became very famous because she raised her voice against this man, that uses the power of popularity and might to present his fantasy, feelings and thoughts in a way that no one else has done before, using the female body to illustrate all sorts of situations. Here, we are talking about a war between the sexes, a war that has not found an end yet. It is an continues back and forth in propaganda and cross propaganda between the most famous photographer, Helmut Newton, and the most famous German feminist Alice Schwarzer. It is she who accuses him of supplying propaganda material to this war of sexes, giving higher doses year after year. Alice Schwarzer was born in1942 in Wuppertal, Germany. She lived with her grandparents, who took great care of her. It is said that she had the best relationship with her granddad, that she had ever had with a man. In 1970 she became a member of the Paris womens liberation (Mouvement de Liberation des femmes, MLF). After she moved back from France to Gerany, she then became a liberal author until the 26. January 1977 were she found EMMA. EMMA is a bi-monthly magazine that comes out the last Thursday of every even month. It is available in every German-speaking country at large news-stands. Read by about 120. 000 people EMMA is the only magazine for women published by women in Europe. Until now, Schwarzer is still its editor-in-chief and publisher. She has written many books and articles, where she mentioned the work of Helmut Newton, where she asked other women to stand up for the womens right and especially, to stand against this so-called voyeuristic photographer, Helmut Newton. One article is directly written about Newtons work. It was published in EMMA 6/1993 and also in Schwarzers book Alice in the mens world an interim balance12. In this article, Alice Schwarzer definitely makes her point and opinion clear. There is no sympathy to Newton, no admiration, not a single positive statement. She lists every point that she can mention in a negative way and finds interesting methods to relate his voyeuristic, sadistic and pornographic work to Newtons past. It happens in her article, that she draws the readers attention to the fact, that Helmut Newton is descended from a Jewish family and that his first photography teacher, the by him admired and famous Yva (whose real name was Else Simon), was later murdered in Ausschwitz. She relates this fact to his alleged sadistic and black fantasy and is shocked that any respect and honour and pride is missing to what has happened to the Jews in the second world war. She says that his fantasy world is full of offenders in uniform or pinstripes and victims, that have the meaningful expression of being strong. Tall, blond girls, shiny black slaves and greedy mistress, that wait for their masters to get broken down. Basically she is not wrong in saying this as he indeed said in his autobiography, that he was fascinated by the domina and prostitutes and the dark atmosphere that surrounds them at the time he was living in London (1957). But Schwarzer does not only want to explain what sort of women, in her opinion, Newton presents, but she wants to build a connection between his passion for cruel, dominating but beautiful women and his past, the fact that he is Jewish and grew up in a time where pictures were made to produce propaganda. Hitler used posters and pictures to show the Germans whom they shall like and whom they should not pointing at the Jews and declaring them as bad. These pictures showed Jewish people, looking like criminals, explaining the German nation that this is how the people look like that can be ridiculed, carried off and killed. This equation forms a courageous thesis. But, however, you can feel her anti-sympathy for Newton, as she is stunned about the phantasm Newton publishes, where no picture is the product of a better one, only showing the tortured view in the own chasm13. She has the opinion, that Newtons pictures do not disturb but confirm the existing relations in a world of violence, war and torture. Newtons pictures are comparable with the fantasy of men and the awe with which the male imagination regards all women. He shows the insecure men a strong, powerful and demanding woman, and these pictures do not ask productive questions but give straight answers to the modern society therefore they are pure pornography (Schwarzer). Pornography, that is what Schwarzer sees in Newtons work. Pictures, that are made by humans of humans, have an effect of their social and psychological reality where it does not matter whether it is a pornographic, racist or anti-Semitic picture. 14 According to the law, however, representations are only pornographic, if they cause sexual state of arousal to the viewer and at the same time go beyond the agreed limits of the social values to the sexual sense of decency. 15 This would mean, that this paragraph serves to the general feeling for decency but not for the safety of the womens dignity. A point that makes Schwarzer despair. Over and over again she makes that clear. But not only through words, speeches, written articles and books, but also through legal movements she raises her voice to emphasise the importance of this topic. In 1978, Alice Schwarzer sued the German magazine Stern for offence against i 823 BGB16, that says Who offends intentionally or negligently the life, body, health, freedom, ownership or any other right of another in any way, is obligated to compensate the victim for the arised damage. It was simply the publication of some of Newtons pictures, (In July 1977 the Stern published a picture showing a naked female backside placed on a bikes saddle; in March 1978 a naked woman on the beach, covered with sand on the decisive parts of the body; and in April 1978 it was the publication of a picture showing a black female, naked, holding a microphone in her hand, however, being tied up in heavy, metal chains) that caused Schwarzer and many other women to go to court and to sue the Stern. The statement of claim of Schwarzers side said, that not only the way and manner of the presentation, but also the summery shows that there is a simple system behind it: The representation of women as an instrument of power. Schwarzer had the opinion she had deciphered a global, male conspiracy, based on a gentlemens agreement not to see women as actors but as objects of male controlled art. She also accused Newton to be the leader of this egoistic and little-caring male party, for as not many are as talented and as cold at the same time as he is. However, Schwarzer lost the conflict. The judge saw no conclusive element in Schwarzers allegation, more or less because the plaintiffs could not be in force of the personal violation of own law. Women as a group are not able to be collectively insulted, so the judge. The plaintiffs should present their concern to the legislator, as he went on. And that is what she followed the next few years. Her aim is to gain a law against the production, spreading and possession of pornography. In other words: The censorship of Pornography. She demands more rights for women, the right for women to stand up against the pornographic representation of women by artists such as Newton, to stand up for the dignity of (wo-)men with all strengths, because pornography is the propaganda for the degradation of women and has nothing to do with morality (Schwarzer). Following that concept, at the end of the 1987, EMMA got the Anti-Porn-Campaign started under the name PorNO, led by Alice Schwarzer. Being a representative of this campaign means you have to agree with Mrs Schwarzers opinion that pornography does support the violence on women and children, as pornography displays women in a humiliated position or rather as pornography is the humiliated act against women. It gives a picture of women that are human beings of second rank, born to be victims, just good enough to be used, taken, raped, and tortured. According to EMMA17, pornographic pictures and movies give rise to the pressure and constraint for women to give themselves away to this humiliation. But the actual centre of the campaign against pornography lies in the argument that Pornography causes violence. And it is so much more than just the expression of the brutality as a whole. To strengthen her thesis, Schwarzer always follows the same pattern when writing her articles. Although still seen morally wrong, women who show their body for published pictures or sell sex are still allowed to continue their trade. Schwarzer asks the women why this has been allowed to continue and gives a straight and simple answer: men. Conclusion Is Helmut Newtons photography artistic or pornographic? Working on this research question whilst looking at the developed war between Newton and the feminist Schwarzer was really interesting and had taught me many things I had not known before. I have to say it was difficult criticising Newtons work from the perspective of Schwarzer, as I do not share her opinion. Studying the feminist view on Newtons work did not hold me away from the belief that his work is fantastic and by all means artistic indeed. Though I do understand what causes Schwarzers anxiety, I still do not agree with how she tries to persuade others to acquire her opinion and do not see any value in her argument. However, I respect her opinion for as my belief is, that every individual has to decide on his or her own whether Newtons work is artistic or pornographic. Art is just the presentation of the visions and fantasies, emotions and thoughts of an artist and should not be doubt by outstanding people, for as I think that Newton only shows the forbidden desire, no one else dares to talk about, whether male or female but still captures in his/her mind. I use what God gives me, but arrange the world the way I like it. 18 (Helmut Newton) Appendix The following pictures are added for the reader of this written piece to decide for his or her own whether Helmut Newtons photography is pornographic or artistic. (PICTURES). Bibliography   Helmut Newton, Autobiographie, 2002, Bertelsmann Verlag   Helmut Newton Work, Taschen * John L. Tomkinson, The Enterprise of Knowledge, 1999, Leader Books S. A. Publications   Longman Dictionary of contemponary English, Third Edition   Alice Schwarzer, Alice im Mi nnerland eine Zwischenbilanz, 2002, KiepenheuerWitsch   EMMA: 1. EMMA 12/1987 2. EMMA Sonderband 5 3. EMMA 06/1993 4. EMMA 07/1978 * World Wide Web: 1. rpadel. dircon.co. uk/rp_helmut_newton. htm. 2. uol. com. br/modabrasil/london_link/english/helmut 3. aliceschwarzer. de/content/c1052749630440. html 4. rpadel. dircon. co. uk/rp_helmut_newton. htm 5. freitag. de/2000/49/00491501. htm 6. aliceschwarzer. de/textevon/kernthema_4,html Pictures taken from various websites, but mainly from the google-picture-gallery. Acknowledgements I wish to acknowledge the help and support of the following people: John Rolfe for his great help in supervising and supporting me during my study Max van Sambeck for his information about the legal rights. EMMA for giving me some information about their work and about Alice Schwarzer Regina von Kempis-Ki ster my mom, for travelling to Di sseldorf with me to see Helmut Newtons exhibition Helmut Newton-work 1 temple. edu/photo/photographers/spring03/photographers/heatherprice/newton/biography. html 2 http://www,aliceschwarzer. de/content/c1052749630440. html 3 Bible, Exodus 20,4 4 John L. Tomkinson, The Enterprise Of Knowledge 5 Longman Dictionary of contemponary English 6 rpadel. dircon. co. uk/rp_helmut_newton. htm 7 rpadel. dircon. co. uk/rp_helmut_newton. htm. 8 Helmut Newton, Autobiografie 9 rpadel. dircon. co. uk/rp_helmut_newton. htm 10 www. uol. com. br/modabrasil/london_link/english/helmut 11 Helmut Newton Work, Taschen 12 = Alice im Mi nnerland eine Zwischenbilanz (Kiepenheuer Witsch, 2002) 13 Alice im Mi nnerland eine Zwischenbilanz (Kiepenheuer Witsch, 2002) 14 Alice Schwarzer, EMMA 12/1987 15 German law, $184 StGB Strafrechtliches Gesetzbuch (=Criminal/Penal Civil Code) 16 German law, i 823 Bi rgerliches Gesetzbuch (=Civil Code) 17 EMMA Sonderband 5, page 6f 18 rpadel. dircon. co. uk/rp_helmut_newton. htm.

Monday, October 21, 2019

Pascal programming Essay Essays

Pascal programming Essay Essays Pascal programming Essay Paper Pascal programming Essay Paper Pascal Programming Arieus Green Professor Gary Smith Sam Houston State University Pascal was designed in 1968, but was no published until the 1970 by the mind of a man named Niklaus Wirth. Niklaus Wirth was born in Winterthur, Switzerland in 1934 were he attended Swiss Federal Institute of Technology Zurich. Where he soon earns his degree in Electronic Engineering by the mid 1960s. Pascal was named based off the memory of the late Baise Pascal, a famous French Philosopher as well as a major mathematician (Bill Catambay). This particular language was inspired by Algol along with Simula 67. Although pascal resembles Algol, It far surpasses it in run precision and capabilities. Pascal was designed to be a straight forward block Structured programming. Pascal structurally sound functionality provided the way for several new languages we use today for example, Ada, Java, Modula and so many others. Pascal was design to farther educate the development of a systematically discipline construct. Pascal was initially designed to influence the practice of good or better program design. The language in particular is an imperative and procedural programming language (Bill Catambay). Imperative programming language simply describes the computation of each term as a statement. This important detail makes it easier to produce a programming code, it also has the capacity to use structure programming alongside with data structuring. All of these things take care of the clarity as well as the quality of each program written in pascal. By this time pascal has been at the top of its game being both reliable as well as efficient. Pascal is a strongly typed, block structure programming language (Bill Catambay). It has evolved with enough power to run home projects, commercial industries and many other entures. Wirth was very particular when the designs were planned out. Much of the pascal language is similar to what we see in our C or Java languages. Some of its features make pascal easy to understand and maintain. The programming Structure of pascal consist of; program name, uses command type, declarations, Statements data object and or functions. Every Pascal program has a heading statement, a declaration and execution in that exact order. Basic syntax variable are placed in the beginning of a statement, followed by a definition of some sort. Declaring a variable s straight forward in the design of pascal. By using keywords like var allows the programmer a number of abilities. Which include declaring string, integers, records and other defining types. This is followed by the capability to use functions and procedures. In Pascal procedures are instructions to execute within the program with no return. Functions are similar in attributes with the exception of having a return value. Like Ada, Pascal is not case sensitive. Pascal Programs are generally formed by several statements. Every statement gives the program a Job by stating or defining xactly what that Job is. Each Job should consist of declarations, assignment, reading or writing data and taking logical statements. Similar to other languages, Pascal has words on reserved such as array, begin and end. These words you would not be allowed use as a variable and to declare any value. Pascal also has a number of different data types that include the standard, integer, real, Boolean and structured array records and file. These constants make it easier for the programmer to read. Pascal has the ability to use numerical, logical, string and character constants. Pascal as many other types, the enumerated type is a data type defined by the user. They give most value the qualification to be specified in a list. Pascal uses variable as a define storage space. Operators are used in every programming language in pascal uses as manipulations of mathematical or logical functionality. There is a list of operators used in pascal involving arithmetic, relations, Boolean, bit, set and string Operands. Each operand has a different responsibility and implementation. Pascal decision making is design for the programmer to specify all condition to evaluated and test by the program. All statements have to have a true or false result and or reroute to another statement of the programmers choice. Helping with these logic statement would me key words like if-then, if-then-else, nest-if statement and many more (Micheal Van Cannegt). These statements can lead one to a loop, where some code that is to be executed multiple times. A loop is usually executed in a specific order the first followed by the second and so on. Pascal also has loop control statement feature that will allow breaks which can call for the termination of a loop or any case statement that has out grown its parameter. Goto statements can transfer control but this feature is not often used. Programmer use a number of small sections of code called subprogram (Victor John Saliba). Every one of these subprograms preforms a particular task as modules. There are two kinds of subprograms function and procedure. Functions are small programs that have a single return value of some variety. Every pascal has to have as many as one function to call it a program and other smaller program to define added functionalities. Pascal functions usually consist of a header, the declaration and a body. The function eader has only two main objects, the keyword and the name of that function. There are many other part to a function, by which include the argument, this is often where the programmer calls the program and the formal parameters. The formal parameter could be an array, subprogram or structured variables. The declaration function simply speaks to the compiler giving it instructions on how to call that specific program it ultimately has the same attributes as the function subprogram. The difference being in the format of the keywords, which is procedure being one of them nstead of function. Pascal file handling capabilities are second to none and are very simple to generate. For instant, notice that there is not a word on reserve for the reading or writing to a file, the usual format to use is readln() or writeln(). When reading a file the base type could be an integer real, Boolean, enumerator, subrange, record, arrays each one but certain other file types. Pascal was a powerful language and tool in 1970s and has become a more advanced language over time. Pascal has been through a few update and changes to the language. In being this reliable and fficient Pascal will continue to be of use in the near future. References freepascal. org/advantage. var ftp://ftp. freepascal. org/pub/fpc/docs-pdf/ref. pdf, Reference guide for Free Pascal, version 2. 6. 2 Document version 2. 6. February 2013 pascal-central. com/ppl/chapter2. html. The Pascal Programming Language. Bill Catambay. 0 2001 Academic Press. http://pascal-programming. info/ index. php. pascal Programming. Victor John Saliba 2006. computerhistory. org/fellowawards/hall/bios/Niklaus,Wirth/ . Copyright 0 2013 Computer History Museum

Sunday, October 20, 2019

Analysing The Emerging Democracy Of South Africa Politics Essay

Analysing The Emerging Democracy Of South Africa Politics Essay South Africa is a young democracy that has begun making serious attempts to bring the nation together and create national equality among the people. First to understand what a democracy is it needs to be defined. William Hay Anthony defines democracy as â€Å"liberal representative government under law, sustained by a political culture that accepts open disagreement and demands accountability† (Anthony, pg 135). This definition highlights â€Å"the role of institutions in making a political order work† (Anthony, pg 135). Applying this definition to the South African case is important to analyzing its development within being a democratic nation. Civil and political rights are important to a democratic nation because it must maintain rights to all of its citizens equally. South Africa has made huge steps in ensuring equal rights to all of its citizens, though it is quite clear that a lot more could be done. In terms of economic rights and social rights, South Africa has made attempts in making these rights equal for everyone. The democratic role of South African political parties has been a constant one. The African National Congress has been the party in power of the state since its first democratic election in 1994 and it seems like it is getting more and more support as time goes by. Their policies which have been put forth have the same goal of having equality within the state. In the past 16 years, South Africa has made numerous attempts to make its nation more democratic but it is clear that the work that the nation must do to have a complete democracy, is nowhere near finished. Rights have not always been equal to all people of South Africa throughout history, even in the past 20 years. From 1948- 1994, South Africa was under an apartheid, that is, a segregation of blacks and whites in all aspects of society. Under this rule, all races that were identified by the South African Government were divided. At the time, the government recognized four different racial categories: â€Å" African, coloured, Indian and whiteâ€Å" (Lichbach 2009, 466). There were many laws that were put in place to keep the people of the country segregated at all times; the only exclusion to that was if a black African was working for a white one. Some apartheid laws were the â€Å" Group Areas Act, Land Acts, Population Registration Act and Reservation of separate Amenities Actâ€Å" (Lester 1996, 227). During the apartheid, because coloured people could not vote or own property, they were living in extremely poor conditions and kept in certain black only areas. Even when coloured people could own land, the qualifications amount was raised too high for many coloured people to even consider attempting to purchase land. (Maphai 1994, 3). Without the ownership of property, one could not vote. When the first democratic election was held in April of 1994, it marked a new beginning in South Africa; some called it the â€Å"New South Africa†. Mandela was named as president and many apartheid laws were abolished. People were becoming more equal within this country which meant people of all the coloured races were lawfully allowed to integrate with their white counter parts in education, work, property ownership and other rights that were not given to them before. With a new government set in place, citizens were excited to see how their country would change for the better given its new democratic policies that would soon begin to be in effect. What some people don’t fully understand is that many things like becoming a new democracy take time, especially when dealing with a country with a past like that of South Africa. With that being said, even though these wonderful laws were being put into government, they were not exactly being implemented very well. One of the biggest reasons why so many of the country’s people have to live this way is because of the huge inequalities within the country; â€Å" Ine quality is still higher than anywhere else in the worldâ€Å" (Pons-Vignon 2008, 3). Inequality is something that cannot be changed overnight with the passing of different laws; it is something will be an ongoing struggle for the country. Something that is special with the democratic characteristics of South Africa is the fact that the minority of the country has most of the power; white people are the clear minority of the population but they clearly have the most power. In 1980, it was shown that â€Å" whites, who were one sixth of the population, earned two thirds of total income in the countryâ€Å" (Maphai 1994, 137). Because white people have such great power as a whole, it is more difficult for other citizens of the country to rise economically. Since 1994, the only place that whites do not have the most power is in government. The Party that has been in power since the liberalization movement has been the black- led African National Congress or ANC. When it comes to voti ng, which many black people do have a right to now, whites just cannot even compare with the numbers that the Blacks have; in 2001, â€Å"79 percent of the population classified themselves as African, 10 percent as white, 9 percent as Coloured and 2 percent as Asianâ€Å" (Lichbach 2009, 472). The fact that government is led by a black supported party is not unfortunate for most white people. In the early 1990’s, the ANC adopted many policies and went through many negotiations with the National party (NP) to get more support from the white community. With the attempt that the ANC made toward getting support from white people in the country, white people began to see the ANC more like a rival as rather than an enemy. (Maphai 1994, 75) As well, the leaders of the ANC have done a good job in convincing all people, including whites, that their policies will only help to better the country. Unions are also helpful with making a nation more democratic. The ability to have specifi c rights because of employment is a huge factor in having equal rights for people. It was 1979 when African Trade Unions were finally recognized and the Congress of South African Trade Unions was then formed in 1985. (Lichbach 2009, 477) Recognizing unions that were made up of Black workers was essential in implying that they, as workers within the state, deserve no less than that of white workers. Unions allow a group of workers to negotiate with their employers about better wages and working conditions. In the aspect of civil and political rights, South Africa is making a clear progression towards truly having equality within those rights. Democratically, South Africa is making a big progression towards effectively having equal political and civil rights for all of its citizens. Through the coming years there should be more polices out being put into effect and hopefully a better understanding of equality among races. It is only then that the rights that are actually listed within the South African law will have been respected and truly put into practice.

Friday, October 18, 2019

Culture and religions Essay Example | Topics and Well Written Essays - 250 words

Culture and religions - Essay Example Pesently, there are at least 5000 indigenous groups in the world. Their indigenous religion and culture has faded away with the spread of the non-indigenous religions and cultures. The modern civilization has also made it difficult for them to practice the indigenous religion because their rights to practice it are subjugated by the dominant modern people (Scheiner, 1992). The importance of interrelatedness of everything in the cosmos developed from the similarity of experiences of the indigenous people dwelling in different parts of the world. Such experiences included but were not limited to feelings of pain and pleasure, instances of birth and death, and indigenous people’s wonderment regarding the cosmos as well as the place they had in it. In addition to that, the indigenous people also interacted with one another through trade and traveling. These factors allowed the exchange of beliefs and cultures and played the role of catalyst in the interrelatedness of everything in the cosmos. The spiritual purpose that they serve for the indigenous people is that they inculcate unity and harmony among them and enable them to interact with one another in spite of the indigenous religious and cultural differences because these factors make them feel that they are not alone and that they can help others and attain help from them in

EUROPEAN BUSINESS ENVIRONMENT second one Essay Example | Topics and Well Written Essays - 3000 words

EUROPEAN BUSINESS ENVIRONMENT second one - Essay Example It brought about a vast expansion of the market. Moreover, this act established uniform rules throughout the EU in respect of trading practices. Some of the areas affected by this act were first, qualifications obtained in one Member State were accorded recognition in all the other Member States; taxation methodology and control over governmental assistance to domestic industries (ley Berry). In July 2006, the British Pound performed dismally in respect of the euro. This was in conformity with the general expectation that the difference in interest rates between the EU and the UK would adversely affect the UK currency. The European Central Bank or the ECB and the Bank of England or the BoE did not allow the interest rates to change and in a survey by Halifax, it was clearly revealed that house prices had reduced by 1.2 percent in June 2006 (Sterling slips on UK/euro zone rate expectations, 2006). Further, in May 2006, there was a spurt in manufacturing and in the first quarter of 2006, the mortgage equity withdrawal increased to approximately twelve billion pounds sterling. In this context, the president of the European Central Bank, Jean-Claude Trichet stated that the interest rates would not be altered (Sterling slips on UK/euro zone rate expectations, 2006). However, he hinted that the ECB was likely to increase the interest rates. In the month of July 2006, the forward exchange rate for one euro was 69.51 pence, however in comparison to the US Dollar there had been a 0.3 % increase in the value of the Great Britain Pound (Sterling slips on UK/euro zone rate expectations, 2006). The UK was not willing to make the euro their currency. On the 9th of January, 2005 the UK Prime Minister, Tony Blair, stated that on account of economic considerations, the UK was not in a position to change its currency to the euro. In the BBC programme Breakfast with Frost, Blair stated that it was essential to consider what was

Literature Research and PICO Question Annotated Bibliography

Literature Research and PICO Question - Annotated Bibliography Example Indeed, the authors argued that ascertaining the wishes or choices of the patient for their care is a fundamental requirement in establishing an effective care plan. The study found that around 42% of the 380 participants with advanced cancer preferred palliative care of a more conservative nature, with the said percentage of patients actually choosing only one or two modes of treatment. Still, in addition to this preference, the authors also looked at what demographic characteristics predict the possibility of a choice between CPM and AAMM. Maida, et al. (2010) found that younger, non-Caucasian cancer patients who have with them substitute decision makers (SDM) are more likely to prefer more aggressive means of coping with the disease condition. This study was chosen as a significant literature because it aimed to quantify the characteristics and preferences of patients with their end-of-life care. By doing so, the study provides a rich background for the PIO question exploring which could be more effective in providing comfort at the end of life, CPM or AAMM, as perceived by the patients themselves. Rose, J. H., O’Toole, E. E., Dawson, N. V., Lawrence, R., Gurley, D., Thomas, C., et al. (2004). Perspectives, Preferences, Care Practices, and Outcomes Among Older and Middle-Aged Patients With Late-Stage Cancer. Journal of Clinical Oncology, 22 (24), 4907-4917. Much like the earlier study by Maida, et al. (2010), this research aimed to look into the preferences of terminal cancer patients in their care at the end of life. However, this study took a more qualitative approach, actually exploring the preferences for the care of the patients, and the degree by which these preferences were perceived to have provided comfort to the patient before their death. By utilizing a more in-depth exploration of the perceived effectiveness of different palliative methods, the researchers were able to point out which methods were most effective in promoting comfort

Thursday, October 17, 2019

Alternative investments consistently provide higher returns as well as Essay

Alternative investments consistently provide higher returns as well as diversification benefits to client portfolios Discuss this statement highlighting the most common types of alternative investments - Essay Example e negatively influenced – no matter even the limitation in these products’ performance is high or low; the examination of the investors’ preferences under normal market conditions has led to the assumption that alpha returns is likely to be preferred as an investment tool instead of beta return. The nature and the performance of this investment product can be used in order to explain the increased interest of investors on alpha returns. However, under the influence of the current financial crisis, the attractiveness of alternatives and structured products has been reduced showing the strong dependency of investment decisions on the market conditions. In order to understand the increase in clients’ preferences on alpha returns it would be necessary to refer primarily to the characteristics of the specific investment; in accordance with Dorsey (2007, p.5) ‘alpha often is a virtual catchall for the return generated by an alternative investment that is not considered to be related to equity beta’. The above type of alternative investment seems to be preferred by investors – instead for the beta return; this differentiation on the investors’ preferences can be explained by analyzing the characteristics of the specific two investment products. The term beta return reflects ‘beta is the amount of return for a security or fund that is explained by its benchmark or component benchmarks’ (Dorsey, 2007, p.6); in other words, the main difference between the alpha and the beta return is that the former focuses on the factors influencing the performance of a specific investment while the latter r efers to the market prices in general. In this context, the alpha return is likely to be preferred by investors as it offers a clearer view on the potential performance of a particular investment; the identification of the price of the market to which an investment is related is of secondary importance for the investors of the particular market. From another point

Analysis Essay Example | Topics and Well Written Essays - 500 words - 24

Analysis - Essay Example He may utilize a wide range of gadgets to help him do this—viewpoint is one of them—yet in any case reality around a complete visual impression relies on upon one thing, truth of tone. Drawing may be rundown, hues dull, yet in the event that the relations of tone are genuine, the picture will hold. Profundity and measurement are rendered by the utilization of straight point of view, by the covering of the layers of shapes, and specifically, through the utilization of tone. This compositional component works inside the picture in various ways. First and foremost, there is the presence of characteristic light inside the painted room and past it. The pictorial space in the midground and forefront is lit from two sources: by meager shafts of light from the open entryway, and by expansive streams getting through the window to one side. The light from the window enlightens both the studio closer view and the unrepresented territory before it, in which the ruler, the ruler, and the viewer are attempted to be situated. Light partitions the scene into three unmistakable parts, with frontal area and foundation planes firmly lit up, between which an obscured halfway space incorporates silhouetted figures. Velà ¡zquez utilizes this light not just to add volume and definition to every structure additionally to characterize the central purposes of the sketch. As the light streams in from the right it splendidly glimmers on the plait and brilliant hair of the female diminutive person, who is closest the light source. But since her face is turned from the light, and in shadow, its tonality does not make it a state exceptionally compelling. Likewise, the light looks diagonally on the cheek of the woman in-holding up close to her, however not on her facial highlights. A lot of her delicately hued dress is diminished by shadow. The Infanta, be that as it may, remains in full enlightenment, and with her face turned towards the light source, despite the fact that